She works across the fields of computational art and design, human computer interaction, and systems engineering. Register here University of California, Santa Barbara. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). He was in charge of computer music from 1982-1994 at the Darmstadt Summer Courses for New Music and from 1984-2005 at Cologne Music University. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. Chandra is an ACM Senior Member and an IEEE Senior Member. Donate to the Lab. Her work deconstructs technology with material interventions, creating new narratives for hybrid objects that function between human/nonhuman, ancient/future, handmade/autonomous to override power structures rooted in colonialism. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. 0000057383 00000 n
Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. JENNIFER JACOBS - Wellness Fitness & Nutrition - Instagram Providing UC Santa Barbara alumni a place to network and connect with fellow Gauchos; mentor and recruit students and young alumni; advocate for the UC system on a local, state or federal level; and much more. 0000003473 00000 n
Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. Professor
Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. jjacobs00@ucsb.edu. Leadership | UC Santa Barbara Alumni His music includes opera, orchestral compositions, chamber music, electroacoustic music and experimental video. Records, Milan in 2019. Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. She also received an M.F.A. Connect. Faculty. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Denver, Colorado, USA, April 2017. New interface technologies become new tools for musical and artistic expression. jjacobs9@gmail.com. 0000004917 00000 n
His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Santa Barbara, California 93106-1120. Jennifer Jacobs | Center for Black Studies Research 1,160 following. 0000006941 00000 n
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(805) 893-2084 Public figure. Office: ED 3262, University of California, Santa Barbara Department of Computer Science. He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. Jennifer Jacobs - Assistant Professor - University of - LinkedIn He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. 0000103163 00000 n
At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. Sarah Jacobs sarahjacobs@ucsb.edu Office: ED 3232. She is the founder of Uproot, UCSB's first BIPOC art coalition. At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. She is director of the Expressive Computation Laba group whoseresearchspanscomputational art and design, human computer interaction, and systems engineering. W. Patrick McCray is a professor in the History Department at UCSB. RE Touch Lab - Director and Principal Investigator. My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. Copyright 2023 The Regents of the University of California. At UChicago CS, we welcome students of all backgrounds and identities. Matthew Turk is current President of the Toyota Technological Institute at Chicago, an independent philanthropically endowed graduate research institute that focuses on computer science theory and artificial intelligence. A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. Department of Electrical and Computer Engineering. %PDF-1.4
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Chandra's research interests include automatic and adaptive compiler, programming language, virtual runtime, and operating system techniques that improve performance (for high-end systems) and that increase battery life (for mobile, resource-constrained devices). Her years of experience in digital media research led to the creation of a multi-million dollar sponsored research program for the University of California, the Digital Media Innovation Program. Monica Scafide In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Her research has received extensive media coverage from leading media outlets (e.g., from Engadget, UploadVR, MIT Tech Review and Forbes India) and has drawn the attention of industry research, such as Samsung and Unity 3D. From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. Dr. Jennifer Jacobs | Faculty Profiles | USF College of Education In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. She also received an M.F.A. His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement. Articles by Jennifer Jacobs | Fortune Phone: (813) 974-7522. JENNIFER JACOBS Updated: Oct 21st, 2019. dyoung@ucsb.edu, Jennifer Scalzo Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. D. from Indiana University. Jennifer Jacobs - Wikipedia Researchers. Jennifer Jacobs. He studied organ performance, composition and architecture in Lisbon. Supporting Expressive Procedural Art Creation through Direct Manipulation. Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. Jennifer Jacobs - UC Santa Barbara Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. She was Chief Scientist of the Program from 1998 to 2003. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . sarahjacobs@ucsb.edu Google Scholar. Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. Biography. His artistic works have exhibited at some of the most prominent cultural venues in the world. He recently received the NSF CAREER Award, the NASA Early Career Faculty Award, and the Packard Fellowship. University of California, Santa Barbara. Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Department of English. amber.moran@ucsb.edu Department of Music. And if you know of other websites that may be useful to your colleagues, and should perhaps be added . Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Natalie Holdren with your company email address. BA University of Oregon, Computer Science, Media Arts and Technology. College of Engineering - UC Santa Barbara. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. PDF JENNIFER JACOBS - UC Santa Barbara His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). 0000132293 00000 n
She also received an M.F.A. loh2o@ucsb.edu Rooms 2024 and 2005, Elings Hall. Jacobs received her Ph.D. from the Massachusetts Institute of . Copyright 2023 The Regents of the University of California, All Rights Reserved. . To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Make Your Health A Priority This New Year with "Job 1," The New Fitness He then attended Stanford University where he received his M.S. Emily Jacobs | Psychological & Brain Sciences | UCSB Office: ED 3243, Mathematics Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. All Rights Reserved. He was appointed Director of Pedagogy at Les Ateliers UPIC (later CCMIX) and Lecturer in the Music Department of the Universit Paris 8. Prior to joining UCSB, Jennifer received her Ph.D. from the Massachusetts Institute of Technology and was a Postdoctoral Fellow at the Brown Institute of Media Innovation within the Department of Computer Science at Stanford University. Her projects have been exhibited internationally, in venues such as The Walker Art Center (Minneapolis), Banff Centre for the Arts (Canada), The New Museum (New York), The Swedish National Public Art Council (Stockholm, Sweden), and the Biennial at the Whitney Museum of American Art (New York). Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Contacts | The Gevirtz School (GGSE) - UC Santa Barbara He taught electronic music composition at Harvard University and sound synthesis techniques at the University of Naples Federico II. Trained in engineering and physics, he received the PhD in Electrical and Computer Engineering from McGill University, and MA and BA degrees in Physics from The University of Texas, Austin and Wesleyan University. RHESSys is designed to provide science-based information about spatial patterns of ecosystem health and vulnerability in terms of water quantity and quality. UC Santa Barbara Alumni. Department of Computer Science. safeguard properties lawsuit 2017; syl johnson chad ochocinco father His research partners included Garry Kling, Bob Sturm, Aaron McLaren, and John Shynk. Jennifer Mary Jacobs - Home Office: ED 2218, History-Social Science His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. In this email, Birchim explains how many students are "finding themselves without options" for degree at University of Vermont and a Ph. Lecturer. 0000132831 00000 n
CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Department of Art. Media Arts and Technology, UC Santa Barbara Professor
As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Professor
Supervisor: Maneesh Agrawala. ECL's objective is to foster the development of expressive computational tools for art, design, and engineering. Undergraduate research fellow at the Center for Black Studies Research. Nadya Peek, collaborator Jennifer Jacobs receive NSF award to research In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). Copyright 2023. 0000003807 00000 n
Furthermore, Ill discuss how collaborating with practitioners from art, craft, and manufacturing can diversify approaches to knowledge production in systems engineering and open new research opportunities in computer science. And we surely wouldn't want to. My least favorite food: There really isn't any food I don't like. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate.